EDUCATION
2010   PhD candidate, Sydney College of the Arts, University of Sydney.
2007   Bachelor of Fine Arts (Honours 1st Class) College of Fine Arts, University of New South Wales.
2005   France Langue. Paris, France.
2003   Bachelor of Fine Arts, College of Fine Arts, University of New South Wales.

AWARDS
2011   Janet Holmes à Court Artists’ Grant, NAVA.
2010   Art Start, Australia Council for the Arts.
2010   Australian Postgraduate Award.
2010   University of Sydney Merit Award.
2007   UNSW Dean's Award for Academic Excellence.
2007   University of New South Wales Honours Scholarship.

SOLO EXHIBITIONS
2012 Locating the Pulse. Depot II Gallery (In conjunction with Art Month Sydney)
2011  Cut Ups and Cut Outs. Kings ARI, Melbourne.
2010   The whole and the sum of its parts. MOP Projects.
2009   False Narratives. Peloton.
2008   Patience. This is a means and not the end. Firstdraft Gallery.

SELECTED GROUP EXHIBITIONS
2011 Body Language. Brenda May Gallery.
2011   D.I.A. MOP Projects.
2010   Pulp. The Paper Mill.
2009   32 Meters Square. Australia Council for the Arts.
2009   Brink. Poimena Art Gallery, Launceston, Tasmania.
2009   Group Show. Peloton.
2008   Hatched. Perth Institute of Contemporary Arts.
2008   Composition. King Street Gallery on William.
2007   Sensory Bodies. Kudos Gallery.
2007   COFA ANNUAL. College of Fine Arts, UNSW.
2007   Correspondence. At The Vanishing Point Gallery, Newtown.
2007   COFA Emerging Art and Design Award. Kudos Gallery.
2007   Dissonance. Kudos Gallery.
2007   Misadventures. COFA Space, College of Fine Arts, UNSW.
2007   The Gender Show. Long Gallery, Wollongong, NSW.

RESIDENCIES
2012 Sanskriti Foundation International Artists' Residency Program. New Delhi, India. 
2011   Bundanon Trust Artist in Residence Program. Bundanon, NSW (January)
2008   Emerging Artist Studio Program, Firstdraft Gallery. (July- September)
  COLLABORATIVE PROJECTS
2008/9   Amenecer. (Costume design). Directed by Alvaro Ruiz. Los Angeles International Latino Film Festival, USA. La Haban Film Festival, Cuba. Sydney Latin American Film Festival. Dungog Film Festival.

CONFERENCE PAPERS, LECTURES & ARTIST TALKS
2011 Uncanny Bodies: The spectacle of early modern dissection and its implications on visioning the body. ANZSHM Conference. University of Queensland, Brisbane.
2011 The Cutting Edge: Dissective practices in contemporary art. Sydney College of the Arts Graduate Conference. University of Sydney.
2010  Into Theatre and under the knife: The spectacle of the cut and the act of cutting the anatomised body. AAANZ conference. Adelaide, SA.
2010   Vicious Threads Teachers In- Service. Museum of Contemproary Art, Sydney. 
2009   Canvas with Matt Levinson (radio interview). FBi Radio 94.5 FM. August 23
2009   Art and Fashion. College of Fine Arts, University of New South Wales. April 8
2008   Patience. This is a means and not the end. Firstdraft Gallery. September 27

BIBLIOGRAPHY
Griffiths, Amy. The Whole and the Sum of its Parts. Artlink, Vol 31 no 1, Pg 95. March 2011
Brauer, Fae. The Cultures of Dissection: Kate Scardifield's Women Wielding the Knife. 'The whole and the sum of its parts' exhibition catalogue. ISBN 978-1-921661-13-6
Fortescue, Elizabeth. Fine Art of getting across the message. The Daily Telegraph. Nov 6, 2010. Pg 41-42
Christopher, Lissa. False Narratives, Open Gallery. SMH. August 29-30, 2009. Pg 14
King, Tamera. Vicious Threads. MCA Summer 08/09 Exhibitions and Events Guide. November 2008. Pg 15
Fourie, Wilna. Patience. Artwrite Issue #39 October 2008. http //blogs.cofa.unsw.edu.au/blog/artwrite/
Exhibition of the week. FBI Radio 94.5 FM. http //www.fbi.org.au/program_closeup. August 2008.
Mendelssohn, Joanna Kate Scardifield. Australian Art Collector Magazine. April 2008. Pg 165-166
Tharunka. Issue 3, Edition 55. University of New South Wales. April 2008. (Cover image)
Hatched 08. Exhibition catalogue. Perth Institute of Contemporary Arts. 2008 Pg 42
Pakula, Karen Compositions, Open Gallery, The Sydney Morning Herald. February 2-3, 2008.

WRITTEN PUBLICATIONS
2011   Into Theatre and Under the Knife (book chapter). Bloody Bodies: The Art of Dissection and Execution. Edt. Fae Brauer, University of Illinois press. (forthcoming)
2010   Making and Maintaining Space: ARIs Negotiating Compliance. Un. Magazine Issue 4.2. Un Projects Inc. Collingwood, VIC. Pg 30-33
2009   Focus on NSW. National Association for the Visual Arts (Quarterly). Issue 09.1 Image. March.
2009   Yayoi Kusama Mirrored Years. Museum of Contemporary Art Education Kit.